Loft Lines — Gallery

Collections

Curated Series — calm lines, honest materials

A living set of series we keep refining. Each bundle balances rhythm, paper grain, and frame depth for Indian rooms — from compact rentals to airy lofts.

Minimal grid poster in a narrow frame — Minimal Grid — quiet structure.

Why series?

Series keep decisions simple: one visual language applied three ways. Hang as a row, a stack, or an offset pair — the wall reads intentional with minimal effort.

One palette, multiple tempos.
Easy spacing rules (4–6 cm).
Works with teak, steel, or paint-grade frames.

Brass curve lines over kraft tone — Brass Curve — warm arcs.

Stair-like line pattern in charcoal — Stair Lines — steady ascent.

Lab

Grid Lab — alignment that lets rooms breathe

We test spacing with paper dummies before committing to frames. The goal: enough air to breathe, tight enough to read as one voice.

Tight triptych alignment on a console — Tight triptych — 4 cm gaps for unity.

Medium gaps above a sofa — Medium gaps — 6 cm for larger rooms.

Stacked posters near a reading chair — Stacked pair — small rooms, tall read.

Eye line: 150–155 cm from floor to center.
Offset rule: if stacked, keep lower print 8–12 cm above furniture.
Lighting: matte papers kill glare in balcony-facing rooms.

Browse

Series Rail — glide through anchors

Swipe/scroll the rail. Each anchor pairs well with a small note print for desks and entryways.

Anchor poster with ochre grid — Anchor — Ochre Grid.

Anchor poster with midnight linework — Anchor — Midnight Line.

Anchor poster with sienna arc over kraft tone — Anchor — Sienna Arc.

Anchor poster with concrete step lines — Anchor — Concrete Steps.

Tip: for narrow entries, pick one anchor and a note 1/3 the size; keep 5–7 cm gap.

Pairs

Material Pairs — paper tones and frame finishes

Three pairings we use most often. Match paper warmth to your furniture first; the frame finish then becomes a quiet echo.

Kraft-toned poster in teak frame — Kraft × Teak — warm on warm; works with linen sofas.

Matte white poster in brushed steel frame — Matte White × Steel — cool, precise, loves concrete.

Charcoal lines in thin black frame — Charcoal × Thin Black — high contrast, gallery feel.

Teak adds warmth to north-facing rooms.
Steel frames keep geometry crisp on textured plaster.
Thin black frames work best when walls are mid-tone.

Light

City Light Tests — day to dusk on one wall

Drag the dial to simulate light shift. Matte stocks stay calm; semi-matte adds a subtle snap to lines in dim corners.

Room with poster under window light — Single anchor under shifting light.

Ambient light

0 — evening • 100 — noon

Picks

Curator Picks — this week’s calm anchors

Short rail of two strong anchors; both pair nicely with kraft notes and teak frames.

Warm arches poster on kraft — Warm Arches — sienna on kraft.

Slate grid poster with cool tone — Slate Grid — cool balance for steel.

Ink ellipse poster with soft edges — Ink Ellipse — soft cadence note.

Scenes

Room Corners — three ways to place calm anchors

Corners carry a lot of mood. A single anchor, a soft pair, or a desk note — each resets the room without visual noise.

Console in a corner with a single anchor poster — Console corner — one anchor, centered on the console width.

Bedroom corner with a calm pair above side table — Bedroom pair — echoing arcs, 8 cm gap.

Workspace corner with a small note poster — Workspace note — small frame, tall proportion.

Keep 12–16 cm from frame edge to side wall to avoid cramped read.
Use felt pads to tilt frames 2–3° and kill glare from lamps.
Two colors only: wood + neutral keeps line posters crisp.

Library

Shape Library — gestures we revisit often

Our posters grow from a small library of gestures — arcs, grids, threads. Tap chips to highlight families; images update with a subtle pulse.

Arcs
Grids
Threads
Washes

Arc study on kraft tone — Arc study — calm sweep.

Gesture line set with fading ink — Gesture lines — soft cadence.

Guide

Hanging Heights — the simple rules that always work

If you remember one thing: eye line first. Most rooms feel right with the center at 150–155 cm; adjust by a few centimeters for very tall or very low sofas.

Metric diagram showing eye line at 150–155 cm — Eye line — 150–155 cm to center.

Fast checks

Keep 8–12 cm above consoles, 15 cm above headboards.
Triptych gaps 4–6 cm; outer margins slightly wider than inner.
If glare persists, tilt frames forward by 2–3° with felt pads.

Hanging tools: tape, level, felt pads — Tools — tape, level, felt pads.

Compare

Monotone vs Duo-tone — where a second color helps

A pure graphite read is timeless; adding a sienna undertone can warm cool rooms with concrete or steel. Drag the handle to compare.

Cool rooms (north light, concrete) benefit from a warm undertone.
Monotone is safer near colorful rugs or cushions.

Texture

Paper Bench — fiber, deckle, and coating tests

We keep a running bench of texture studies. Macro shots reveal how fiber holds ink, how deckle edges read in frames, and where coating tames glare without killing depth.

Macro of paper fiber with deep black ink — Fiber depth — blacks sit snug in the tooth.

Deckle paper edge near a thin frame — Deckle edge — soft shadow against the mat.

Semi-matte sheet under raking light — Semi-matte — tames glare, keeps snap.

Stories

Rooms & Words — what people send us back

Real rooms, short notes. Texture, quiet, and a bit of ceremony when the frame finally clicks on the wall.

“The grid calms our living room without asking for attention. We lowered the lamp temp to 3000K and the blacks look kinder.”

— Kavya, Bengaluru

Customer living room with a grid poster — Living grid — soft lamp, warm rug.

Desk with a small note poster and pencil cup — Desk note — one anchor, one whisper.

“Small apartment, big calm. We went with thin black frames; the space feels taller with the vertical pair.”

— Rohan, Mumbai

Sets

Limited Wall Sets — ready-made calm for tricky walls

Three pre-balanced sets built for common scenarios: narrow entries, sofa walls, and study corners. Spacing and proportions are dialed in — just measure and hang.